Kalita Cox, a 30-year-old poet who goes by the stage name Se’lah, is holding court at the Coffee Cave, an artsy café on Halsey Street that has become a hub of sorts for Newark’s vibrant poetry scene. She’s tonight’s featured artist, and after blessing the stage with a mash-up prayer adapted for poets (“Give us this day my feature pay/and forgive us our misuse use of the English language/as we forgive those who give us a 6.4 in a slam. . . ‘’), she leans into the mike and launches into her first poem, a lyrical journey that pays homage to Sojourner Truth, Harriet Tubman, Coretta Scott King and other women in African- American history.
I come from a broken history/A long line of a stolen legacy/Where my people’s greatness/Was hidden by hatred/And chained and shackled by bitter cold faces/But still I rise on. . .
Nor is Se’lah the only one to share her work. Members of the audience step up and perform as the host, Dave “Ghost” Rogers, whose show “Living Room Wednesdays” is held every week at The Coffee Cave, keeps things moving. There are love poems; a social justice poem by Ormar Lucas, a barber at Center Stage Cuts who writes of Newark as “a place where sunny days swiftly turn to blood baths’’; and a gripping poem by Sean Battle, an adjunct professor of English at Essex County Community College, who turned the trauma of being mugged on Halsey Street by a pack of “boys walking from Burger King who robbed me as if I were a choice off the menu’’ into verse:
. . . one tug would’ve given them/three 20s out of my back pocket/But an iPhone and wallet with state ID/And debit cards were enough to flee/No younger than 13 this pack/had enough experience in decadence/To stain my bliss with darkness shaded between their skin and mine . . .
The audience nods in recognition when truths strike close to the bone, then hoots and hollers when one regular deviates from her usual fare and shares an erotic poem, deconstructing, detail by detail, the “pulsation and vibration dancing in my mouth.’’ This is, in a nutshell, “the scene,’’ and the format of choice is an open mic.
Open mics take place in coffee houses and church basements, parks and barber shops all over Brick City. And now, as poets from all over the country descend on Newark this week for the Dodge Poetry Festival, the largest poetry event in North America, local poets here hope the festival will shine a spotlight on what regulars already know: the poetry scene in Newark is thriving.
“Any night a week you can find a show,’’ said Rogers, 33, a manager of a fabric store in Passaic who has also hosted a cypher – or impromptu rap session – at the corner of Broad and Market Streets every Friday night for the last five summers.
The scene, he added, has grown noticeably in the last two years. ”It wasn’t like this before. You don’t just see three or four people. You’ll see a crowd.’’
Added Se’lah: “There was a time when it was very cliquish. Now I feel like everything’s coming together. I attribute the unification of poets of our generation to just growing up.’’
Poetry in Newark
You can’t mention Newark and poetry in a sentence without invoking the name of the late Newark poet Amiri Baraka, who saw poetry as a way to give voice to the voiceless. Baraka was at the center of Newark poetry starting with the Black Arts movement in the 1960s and 70s and continuing through to his death earlier this year. In fact, his legacy is being honored at this year’s poetry festival, and was also honored at this year’s Open Doors City-Wide Arts Festival. (Baraka’s legacy is also embodied by his son, mayor Ras Baraka, who is himself a longtime poet.)
“He’s all of our grandfathers,’’ said Se’lah, who organized last May’s first-ever Montclair Poetry Festival and has her own production company, Mylk ‘n Honee Publishing. ”All of us owe our pens to him. The fact that we can all say we’re from a city where a legend lived [makes me] very proud to say I’m a Newark poet.’’
Poetry, Rogers said, is a way for people to “rebel’’ in a positive way in response to the hurt that comes from a society that seeks to keep people – especially black people – in a box. “I think it’s the hurt,’’ he said, explaining the profusion of local poets. “It’s definitely expression.’’
That view was echoed by Tehsuan Glover, 34, a Newark native known by his stage name “Starski.’’ Glover, a poet himself, organized a poetry show at the Newark Symphony Hall earlier this month that featured readings by local poets drew 125 people.
“Newark has a great deal of beauty and Newark has a great deal of ugly, which at the very least is fodder for artists and poetry,’’ said Glover, who earns his living running a marketing and branding company known as Gentleman Culture.
Glover, a graduate of Clifford J. Scott High School in East Orange, said he got serious about poetry after seeing the 1997 film Love Jones, a love story set in the world of Chicago’s African American creative class. His interest lead him to Bogies’s, a nightclub in East Orange, and an important center for slam poetry throughout the 90s that helped nurture an older generation of local poets like Rob Hylton, Helena D. Lewis and Lamar Hill.
“Newark demands that you’re good,’’ said Glover, who counts the poet Lucille Clifton as an important influence. “Sympathy is not one of Newark’s character traits, particularly in terms of entertainment.’’
Rogers said he believes the current growth of the local poetry scene is being fueled by the feeling that Newark’s Downtown is changing as a result of developments like Teacher’s Village, the redevelopment of the Hahnes building to house a Whole Foods and new loft apartments, and the construction of the new Prudential office tower.
“A bunch of artists are saying, “’How can I position myself and my people to take advantage of this?’’’ he said.
Battle, 25, said it was precisely Newark’s reputation as a center for spoken word poetry that prompted him to come to Rutgers-Newark in 2011 as the place to do his graduate work in poetry. “Newark is to the Jersey scene as New York City or Harlem is to New York. If you want to make it as an artist, you have to make your name in Newark,’’ he said.
Battle said he counts Patricia Smith as an important influence, but he returns to Baraka’s poem, “Black Art,’’ a manifesto about black poetry often.
“It comes down to this: if you’re black and you’re writing poetry, you are black poetry because one way or another, your work will have a gaze that is in relation to the concerns of the black communities,’’ Battle said.
The Coffee Cave
By 10 p.m., “Living Room Wednesdays’’ is over. The lights are turned off and the customers are shooed out as employees wash the floors and lock up for the night.
Outside, Halsey Street is empty. The construction workers building the new Prudential Tower are long gone, the students and business people who come here to eat and shop a mere memory. Gregory Brown, a 26-year-old East Orange resident who had read the love poems he had written to his girlfriend Shanika Stevens, lingered on a bench to chat. “Poetry gives people a reason to exist and thrive and want to do more than what’s expected,’’ he said. “It lets you get things off your chest.’’
Brown said he has been writing poetry since he was eight years old. He has worked various jobs from teaching assistant to stage manager to security guard and is currently working as a volunteer as he prepares to go back to school.
Stevens, 42, whose performance this evening was an unmistakable reply to Brown’s, is sitting next to him. She, too, she said, is in an in-between stage, waiting to go back to school in a pharmacy technician program. She joked about the age difference between the two of them, but then turned serious. She hadn’t written anything since high school, she said, but Brown’s passion for poetry rubbed off on her. “He gave me a voice,’’ she said, adding yet another voice to the chorus of Brick City voices emerging from the Newark streets.